You describe yourself as someone deeply passionate about the artistic process. What does the "act of making" mean to you in both a personal and professional sense?

The act of making is meditative and grounding. Personally, it’s a space where I connect with myself, with silence, and with the rhythm of my hands shaping materials. Professionally, it’s where my ideas take physical form where each piece becomes a dialogue between material and intuition. I rarely start with a fixed plan; instead, I explore the possibilities of materials and experiment with different combinations. This playful process helps shape my thoughts and direction. When something feels balanced, I know it’s time to consider the next step: how to make it sellable.

As a creator, you likely draw inspiration from all sorts of places. Can you share a recent, unexpected source of inspiration that you found in an everyday object or place that made its way into your work?

I often get excited by materials, colors, or unexpected combinations. I love how everyday objects can become artful simply by using a different material. While planning a Christmas collection, we came across a mold of a ceramic ball in a shop. We liked it so much that we turned it into a wall sculpture. Another example is a bag shape made out of clay, it looks like a soft, slouchy bag resting on the floor, but in clay it becomes playful and surprising. Our Objets de Noyer collection also draws inspiration from nature, such as (wal)nuts.

We were lucky enough to peek into your world at the atelier, but we’d love to know - what’s a moment in your day that often goes unnoticed, but brings you joy or a sense of satisfaction?

When I step into the atelier in the morning, I start with a cup of tea and take a moment to look around. I observe the evolving process - the works in progress, new experiments, and the ever-changing atmosphere of the space. It’s a constant state of development. That brings me joy. This is my own place to create, to shape, to change, to grow, to think, to sit quietly, and simply to be myself.

Since you’ve started your atelier, what are some of the biggest challenges you’ve faced and can you walk us through this journey?

Balancing creativity with entrepreneurship has been one of the biggest learning curves. From sourcing sustainable materials and managing logistics to researching the best suppliers and collaborating with others, every step has taught me something new. Customer service, PR, social media, marketing, and client relations have all come with their own challenges. Sometimes things flow easily; other times they bring real headaches, unexpected financial issues, shipping problems, or dealing with copycats.

Facing these challenges has made me more intentional and resilient, both as an artist and a business owner. Learning by doing is truly my approach. I try to go with the flow, learn from each experience, and enjoy the process. Another ongoing challenge is staying creative and developing new ideas alongside managing the business side. When things become overwhelming, I take a few days off to recharge spending time in the garden, visiting another city, catching up with friends and family, or simply resting with extra sleep and some yoga.

Before a new collection or campaign, there’s often a quiet period of contemplation. Can you share an example of what that internal process looks like for you? How do you go from a seed of an idea to the material world where we can see your work come alive?

It begins with quiet observation textures, shapes, and moods that stay with me. I often start by sketching in my 3D program or experimenting directly with materials. The transition from thought to object is intuitive, guided more by what feels honest than by the pursuit of perfection. I ask myself: does this sketch excite me? Does it feel intriguing? What materials can I combine? Most of the time, the storyline emerges later when I reflect on the process and try to put the design into words.

You’ve created an atelier that reflects both your personality and your creative process. If we were to take a metaphorical "snapshot" of your studio, what would we learn about you as an artist and as a person from the objects and designs that fill the space?

You’d see minimalism infused with warmth. Natural materials, earth tones, vintage objects, and organic forms tell the story of my love for balance between nature and technology, simplicity and emotion. The space reflects how I work: calmly, with room for contemplation. I love mixing materials that have a story, are well-designed, or possess something special. The space is open and leaves room for new ideas. 
 I’m searching for calm and balance in my work that’s truly my main driving force. This pursuit doesn’t come out of nowhere. The world often feels overwhelming to me, with constant stimulation from social media, news, and the people around me. It can be a lot of distraction and energy. I’m quite chaotic myself and don’t like to follow a planned path or agenda. Everything I create comes from intuition, from a kind of flow. I want to add something meaningful to someone’s daily life something that brings calm, an aesthetic anchor.

As someone who crafts with both purpose and introspection, what do you think the role of modern makers is in shaping the future? How can your work influence a more mindful or sustainable future?

Modern makers have the power to challenge consumption habits and offer alternatives rooted in intention. I work with biodegradable materials like PLA and often give new life to found or vintage frames. My goal is to create meaningful pieces that last, both emotionally and physically, rather than simply follow trends. Additionally, many of the materials I use are as natural and sustainable as possible.

When you think about your work, do you ever find yourself designing for a future version of yourself?

Is there an ongoing conversation between your past, present, and future as you create? Absolutely. My work is like a time capsule that holds where I’ve been, what I feel now, and what I’m drawn to becoming. I often revisit old ideas with fresh eyes, and future aspirations quietly shape the choices I make today. It’s an evolving self-dialogue expressed through form. It’s a continuous process where my use of materials and shapes progress into new versions, just like me.

If you could invite anyone, alive or not, into your atelier for a day to collaborate or simply talk, who would it be, and what would you hope to learn from them?

If I could invite anyone, I would choose my father, who passed away when I was 17 years old. He always supported me, even when my path was uncertain or unconventional. He encouraged me to pursue a creative study, even when I had no clear idea of what I wanted to do professionally. I would love to share my atelier with him, show him the world I’ve created, and hear his thoughts. It wouldn’t be about learning a specific skill, but about reconnecting, sharing this chapter of my life, and feeling that quiet, familiar encouragement one more time.